I spent a few hours this morning writing a sentence—that’s right, just one
sentence, but it was a doozy, over 500 words long, and yes, I know the word count isn't as important as making every word count, making sure every word is the right word for the job, but I
think these are the right words, most of them, and if not, they wrongness of
the wrong words will reveal itself over time as I mull over the sentence some
more.
I started writing the sentence (or the sentence started
composing itself) in the middle of my morning walk. I was thinking of writing about
butterflies, how sparse they are this year and last year too, how puzzling the
fluctuations of their populations, how I used to be able to stand near a patch
of blooming butterfly weed and watch half a dozen fritillaries and
swallowtails and the occasional monarch vying for position on the intoxicating
blooms, but now I have to content myself with seeing one or two, and rarely a
monarch (although I may have seen one at a distance yesterday but it flitted
off too quickly for me to be certain).
So I was walking up the hill thinking intently about
butterflies and noticing little to nothing around me, but then at the top of
the hill the sun peeked out from behind a cloud and lit up a haymeadow where
great round brown bales sat scattered around a field of green glowing with the
intensity of Grant Wood’s “Spring Turning,” a painting that when I saw it in
person for the first time seemed to light up the entire gallery.
And as I looked at that haymeadow I forgot the
butterflies and I wondered why I can’t put that field into a sentence, a simple
sentence that would somehow contain and convey the brilliance of the colors and
the peace of the moment and the evocation of Grant Wood, plus everything that surrounds the moment—despair over the dearth of
butterflies, for instance, and concern over the passing of time and the need to
get right down to work the minute I got back home—the sentence would have to
include all of that too, as well as all the people and houses and roads and
lives that radiate outward from that haymeadow, and yes, the sky and the sun
and the distant stars and planets and everything.
How can I write a single sentence that encompasses
everything? I can’t, but that doesn’t mean I’m not going to try. It is a doozy
of a sentence. One of these days I’ll share, but for now it needs to rest a bit
and wriggle around so I can see the parts that stick out funny. It took a lot
out of me, putting everything into one sentence, but if I anyone asks me what I
accomplished today, I can say proudly and unapologetically, “I wrote a
sentence,” and that will be enough.
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