Friday poetry challenge: Passing the test

The whisper of pages being turned and papers shuffled, the gentle scratch of pencil on blue book--as my students write their midterm essays, the room is so hushed that the clickety clack of the computer keyboard up front sounds like a series of gunshots. So I turn off the computer and start typing on my phone, a challenge in the best of times, which this isn't.

Typing on the phone slows me down. My fingers are too fat and awkward to fly accurately across that tiny keyboard, and if I don't proofread, I end up with ridiculous spellings. Just a minute ago I typed sliws, and the other day I nearly hit Send on a text message that said I hope it all hoed well. Hoed? Goes!

But today I am even slower and less accurate than usual because I'm a little overslept. Overslept? No! I typed verklempt but autocorrect didn't like my sowlling. Spelling. Whatever.

This morning some wonderful colleagues came into my office carrying a huge gift basket, a care package to get me through my surgery and my son's bone marrow transplant next week. It's full of things I live--er, love. Like chocolates and hand lotion and puzzles and a whole stack of cards that I will enjoy reading when my eyes get a little less teary. It is good to be loved and supported by such terrific people.

But it's hard to write about it on this tiny screen. 

My nature students are writing midterm essays about the costs and benefits of being tested in the wilderness, so I think I will attempt a little test of my own: can I write a Friday poem in the time it takes them to write an essay, using only my phone? Well it's worth a try:

The pencils fly across the page

As students reach that trying stage

When midterm in-class essays test

Their progress through the wilderness

Of education. Meanwhile, I

Attempt to make my fingers fly

On tiny keyboard, mangling words

Until my message is absurd.

To pass the test, my students pay

A price: more study means less play.

I pay a toll in awkward rhymes

Composed in very trying times.

(The benefit, of course, is clear:

I get to post my poem here.)

 

A sonnet! I wasn't expecting that. Did I pass the test?

And how about you? Write a testament to your trials and leave it in the comments.

That's one way to increase cancer awareness

So I'm sitting in the waiting room in an ill-fitting beige robe, surrounded by women wearing identical ill-fitting beige robes, each carrying the same accessory--a clear plastic bag containing bra and shirt--and I'm pulling my beige robe a little tighter where it gapes open in front while trying not to notice the traffic whizzing past just outside the wall of windows, when I receive a campus email announcing an upcoming Breast Cancer Awareness Lunch. I want to send off a snarky reply pointing out that I've recently reached my lifetime quota of breast cancer awareness, that in fact I'm sitting in the freaking Stefanie Spielman Comprehensive Breast Center being comprehensively inundated with breast cancer awareness, but I decide against it. A simple no will suffice.

And so I won't have an excuse to show off my handy-dandy little card announcing that I'm radioactive. I've never before been required to carry a card explaining my radioactive state to anyone whose Geiger counter goes off in my presence, and it would be a shame to possess such a card without ever having the opportunity to use it. I'm especially fond of explaining how the doctor announced that the radioactive seed had been successfully inserted in the tumor in my breast: "Okay, she's hot!"

Come to think of it, if I do happen to set off any Geiger counters, I could forego flashing the explanatory card and just announce, "Don't worry--I'm hot!"

The tiny radioactive seed marks the tumor so that my surgeon can find it easily when she goes to yank it out next Monday. Today I spent the day in Columbus being prepared for surgery: pre-operative education, lab tests, EKG, chest x-ray, radioactive seed placement aided by ultrasound, mammogram to make sure the seed was placed properly, meeting with the radiation oncologist, and I don't remember what else. I was comprehensively cared for by a horde of medical professionals whose names I could not recall if my life depended on it. My life may depend upon their competence, but if it takes me two weeks to learn the names of a classroom full of students, I can't be expected to instantly remember the names of all the medical professionals crowding around the ultrasound room and remarking upon my hotness.

Everyone--nurses, doctors, lab techs, schedulers--keeps saying perfect, an odd word to bandy about while wrangling with the imperfections of ailing bodies. Have I stopped taking ibuprofen? Perfect. No family history of breast cancer? Perfect. Blood pressure lower than last time? Perfect. 

But I can read and I know my blood pressure wasn't perfect. I'd drive through horrible city traffic and was comprehensively stressed out, so my blood pressure was no more perfect than anything else I've experienced since radically increasing my breast cancer awareness, but if the nurse wants to apply the word perfect to the fact that I've successfully managed to don the ill-fitting beige robe, then I guess I'll accept it. 

Today's gold star goes to the phlebotomist who drew four vials of my blood before I even knew she'd stuck the needle in my arm. I generally walk away from lab work with multiple band-aids and bruises on both arms, so getting a good blood vessel in one painless stick is just short of miraculous. 

But four vials is nothing--nothing!--compared to what my son and daughter have been experiencing in a different building at the same hospital. My son will be admitted to The James Friday to begin the long process of preparing for his bone marrow transplant, and my daughter spent seven hours this morning having bone marrow harvested, though I reject the use of the word harvest to refer to my child's blood products. The advance testing process had required her to give up fifteen vials of blood at the same time, and for the past week she's had to inject herself with a drug that increased her body's production of white blood cells--and made her feel tired and achy like someone coming down with the flu. But this morning's seven-hour harvest festival produced a precious gift that will help her brother get healthy.

But first he has to get less healthy. Over the next week or so, his diseased bone marrow will be destroyed to eradicate the cancer and make room for his sister's donation. That's not a pleasant process, and for a while he'll have no functioning immune system. But then that perfect gift of healthy marrow should start making him better over the course of the next couple of months.

So right now our whole family is more aware of cancer than we've ever been, and we're trusting in the comprehensive care of a horde of medical professionals to get us through the coming challenges. If one day we get so far removed from all this pain and anguish that we can allow our comprehensive cancer awareness to lapse--well, that would be just about perfect.  

 

Brother and sister.

 

Debris, decay, deliciousness

After neverending rain and repeated flooding, our lower meadow is finally drying out--which is good news because the new chicken coop is arriving next week and I wouldn't want the truck that hauls it to be mired in the mud.

So we took a walk around this morning, poking around the edges to see what the floods left behind. The garden was flattened, of course, but the okra patch survived the inundation and continues to feed us. We eat fried okra several times a week, and yesterday I arrived home hungry to find that the resident gardener had followed online instructions to fix a massive bubbling pot of gumbo that warmed me right down to my toes.

Fig trees that were under four feet of water have sent forth a tiny crop--two little green figs--while banana trees loom overhead looking lovely but producing no crop at all. (Hardy banana trees can weather our winters, but the growing season is too short to allow them to fruit.) 

Flooding left debris hanging from trees all around the meadow, mostly bits of straw from the neighbors' fields. Some debris is stuck on limbs higher than I can reach and some higher than my husband can reach. I asked him how high the highest deposit was and he said, "Taller than a basketball hoop." Our creek can dunk!

The floods deposited patches and bars of thick silt on garden and meadow, wore away high banks along one part of the creek and left a layer of gravel over another. A rock the size of a bathtub got plopped down right in the middle of the creek, a visitor from Elsewhere.

I crave stability but stand in awe of a landscape in motion, the borders of my world shifting as the water comes and goes. The flooding couldn't stop the fig and okra from growing and it won't stop us from enjoying the beauty in a changing world.

The okra patch stands tall in the flattened garden

Fig

Banana tree looming above the figs

The gardener under his fig and bananas

The pad for the new chicken coop, uphill from the meadow

Chickens came within a few feet of being washed away

Debris in trees all over the place

Tree left behind by flood

Where did that rock come from? Elsewhere...

A chunk of barrel?

Sand bar left behind by Lake Hogue

 

Friday poetry challenge: Color my world

I was mesmerized yesterday by the iridescent pink-and-purple blades of the scissors wielded by the woman cutting my hair, a stylist I'd never seen before, adorned in pink blouse, pink sweater, pink-and-gold hair, and gold lip studs, who moved those satiny pink blades so slowly and smoothly that the motion nearly put me to sleep.

They reminded me of the highway I'd driven on that morning, a pink-and-purple swath of road that looked as satiny as a bridesmaid's dress, the wet road reflecting a sky painted in soft hues of yellow blending into pink and then mauve and then deep purply gray. It was so lovely I wanted to stop and take a photo, but before I could pull over the gray clouds shrouded all the colors and the whole world turned to drizzle.

I'd like to thank whoever was responsible for injecting such beautiful colors into a gray and cloudy day, but instead I'll squeeze my gratitude into a little haiku:

Pink blades snip, pink road 
slips past; light pours color on sky,
blessings on the day.

What colors light up your world this week? 

The same river twice

My final time teaching A River Runs through It and I realize I don't know how to teach this text. The film, sure--focus on how color, composition, and movement emphasize the connection between people and nature, etc. But the book? Students find it boring, all those words, all those long descriptions of geology and fly-fishing and fish. I put students in groups and ask them to identify what would constitute paradise for each main character; I talk about fallenness, how people are a mess who need grace and strength and art; I read passages aloud, about the rhythms of life and Paul's being encircled by a halo in the water and the moving closing lines:

Eventually all things merge into one, and a river runs through it. The river was cut by the world's great flood and runs over rocks from the basement of time. On some of the rocks are timeless raindrops. Under the rocks are the words, and some of the words are theirs.

I am haunted by waters.

Norman is haunted by waters because the waters tell stories of loss--of innocence, perfection, and loved ones. The loss of his brother looms large throughout the book, which is why it's so shocking that Paul's death takes up no more than a page and a half of text. The question of how to help Paul, though, suffuses the entire novella, alongside the larger question of how anyone can help anyone else, particularly those closest to us. How do we help those who don't want our help? How do we accept help when doing so requires admitting vulnerability? How do serve as our brother's keeper when our brother resists the very idea of being kept by anyone?

Maybe my students are too young to find such questions compelling, but for me, the questions grow richer and more meaningful with each passing year. I have seen loved ones struggle to help those closest to them, and I've seen the pain that results when someone close can't be helped. I've kept my deepest struggles to myself so as not to burden others, but now I want to--need to--help my son as he faces his most demanding trial, and all I can do is offer money and comfort food and encouragement. He is grateful, but it never feels like enough. 

Now others are stepping up to help me and my family: covering my classes after my surgery, offering meals when I'm in recovery, sending gifts to help with my son's medical expenses. It's all more than I could have dreamed of and more than enough but, at the same time, I wish we had no need for anyone's help and could turn it all away.

And so I read A River Runs through It through different eyes this time, knowing the weight of loss like never before and wondering whether I can get through those final pages without collapsing in tears in front of my students. I may just lead them out into the deep waters and encourage them to feel the mist rising, ensconcing all of us in a halo of waters, and then I'll let them find their way back to shore on their own.    

Overwhelmed? Just a bit

Today I had to explain to my upper-level literature students the meaning of bits in the Zora Neale Hurston story "The Gilded Six-Bits." 

I am definitely getting too old for this.

And too tired. I went home exhausted last Friday, worked all day Saturday and part of Sunday, and have been scrambling today just to avoid falling hopelessly behind on this week's work. To actually get ahead, I'd need a whole extra day in the week--and then I'd probably just sleep the day away. 

Part of this frenzy of activity involves preparation for the three days of class I'll miss after my surgery. I've copied texts, written group work prompts and reading quizzes, provided contexts, goals, and discussion questions for the wonderful colleagues who will be covering for me, and tried to anticipate any problem that might arise. All this advanced preparation will pay off when I spend a few days not thinking about classes, but at the moment it's a lot.

Another task bogging me down right now is the need to pack up my office in the moldy building. Every time I'm in there I fill another box or two, but I keep finding new deposits of ick. Today, a full two months after I discovered mold growing on my carpet and a month after the College conducted in-depth cleaning and installed heavy-duty dehumidifiers throughout the building, I found a row of books on the bottom shelf that were wet to the touch, some of them moldy and some warped from moisture. Working in there more than a few minutes makes me cough and sneeze and stuffs up my sinuses, but I'm only about half done with the packing job. I keep thinking of Thoreau's image of his townsfolk who inherited property and spent their lives "well-nigh crushed and smothered under its load, creeping down the road of life, pushing a large barn." That office weighs on me but I can't just set down the load and walk away. Someone has to deal with all those books.

So I truly have no time for blogging or walking or photography or fun, but nevertheless I have shamelessly indulged in all these activities in the past week. It's required. Literally: last week's leader at a campus workshop challenged each participant to write down one leisure activity unrelated to our work that we would promise to do before the next meeting, and then he collected the notecards. Will there be a quiz at the end? At any rate I felt obliged to do some leisure activities, which makes it no so much leisure as work, but whatever. The photography walk I'd promised myself was difficult to squeeze in between thunderstorms, but somehow I managed to get it done, though there wasn't a whole lot to photograph aside from pawpaws and standing waves in my creek where no standing waves ought to exist at this time of year.

But I got out of the house and away from my work and looked at pretty things, and now my whole house smells like pawpaws. They're not particularly abundant this year but the ones we've harvested are fat and juicy, a benefit of our unbearably wet, muddy summer. Maybe the only benefit. 

I mentioned the pawpaws to my students and few of them knew what I was talking about, but if I brought in pawpaws and sold them for two bits each, they'd all go hungry. 

Friday poetry challenge: So bad it's good, but not quite good (or bad) enough

Once again I've found buried treasure while cleaning out old files in my office: 

• my very first tenure-track contract, which offers definitive proof of my nonexistent negotiating skills
• a cache of envelopes, both letter size (bedecked with the college logo) and manila mailers, all rendered unusable because the moisture in my office glued the flaps shut
• expense reports and receipts from every conference I ever attended with College funds, back when I regularly attended conferences (and the College had funds) 

But the most unexpected item I located in the current sweep was the 2002 JAM Anthology, a printed collection of prize-winning poetry from the Julia A. Moore Bad Poetry Contest sponsored by the Flint, Michigan, Public Library. Although I doubt that this fact ever appeared on my Vita or in my tenure file, it is nevertheless indisputable that my poem "Shopping for Words on a Snowy Evening" was a finalist in the 2002 Julia A. Moore Bad Poetry Contest.

And the crowd goes wild!

I had entirely forgotten entering a bad poem in the Julia A. Moore Bad Poetry Contest, but I certainly remember a research project that required me to read a lot of bad poetry by the likes of Julia A. Moore ("The Sweet Singer of Michigan") and James Whitcomb Riley (the perpetrator of "The Happy Little Cripple"). Julia A. Moore is perhaps best remembered (?) as the author of "The Great Chicago Fire," a poem of monumental awfulness that ends with a resounding thud. I mean, go and read it. It's really bad.

My poem included in the anthology is, I hope, not quite that awful, which is why it was merely a finalist rather than a prize-winner. I know I could do better today, which would make me even less likely to win a prize, which is good, I guess? Anyway here it is, fresh from the JAM Anthology that has been nestling within the moist and moldy confines of my desk drawer since 2002:

Shopping for Words on a Snowy Evening

Whose words these are I think I know:
He's listed in the footnotes, though
He will not see me stopping here
To copy sentences--and mo'!

My editor might think it queer
To cut and paste words without fear
Out of that text, from which I take
Whole paragraphs, and move them here.

If caught, I'll say, "There's some mistake!
I never really meant to take
Those words! At least, not take for keeps.
Oh please do not my books forsake!"

The words are lovely, dark and deep,
But I have contract terms to keep,
And books to crib before I sleep,
And books to crib before I sleep.

I don't know which is worse: the badness of this poem or the fact that it wasn't bad enough to earn a prize. But what sort of person wants to win a prize in a Bad Poetry Contest anyway? (That would be me.)

So go ahead--try to do better!