I was reading The Last Devil to Die, a Thursday Murder Club mystery by Richard Osman, when I happened upon a passage that made me laugh out loud. It's a little long but worth the effort. Nina, an archeology professor, is meeting with an apathetic student whose name she can't remember when they are interrupted by a hefty Canadian thug named Garth:
There's one with her now, an identikit boy of around twenty, a first year, certainly. He's called Tom or Sam, or maybe Josh. The boy is wearing a Nirvana T-shirt, despite being born many years after Kurt Cobain died.
They are discussing an essay he hasn't written. "Roman Art and the Manipulation of Historical Memory."
"Did you enjoy the reading at least?" Nina asks.
"No," says the boy.
"I see," says Nina. "Anything else to add? Reasons you didn't enjoy it?"
"Just boring," says the boy. "Not my area."
"And yet your course is titled 'Classics, Archeology and Ancient Civilizations'? What would you say your area is?"
"I'm just saying I don't pay nine thousand pounds a year to read a bunch of left-wing academics rewriting Roman history."
"I imagine it's your mum and dad paying the nine thousand pounds, isn't it?"
"Don't privilege-shame me," says Tom or Sam or Josh. "I can report you."
"Mmm," says Nina. "Am I to take it that you're not planning on finishing the essay anytime soon?"
"Read my file," says the boy. "I don't have to do essays."
"OK," says Nina. "What do you imagine you are doing here? What and how do you hope to learn?"
"You learn through experience," says the boy, with the world-weary air of a wise man tired of having to explain things to fools. "You learn from interacting with the real world. Books are for lose--"
There is a knock at Nina's door, despite the SUPERVISION IN PROGRESS note stuck on it. Nina is about to send the unseen caller away when the door opens, and who should walk in but Garth, the colossal Canadian she had met at Sunday lunch.
"Sorry, this is a private session," says Nina. "Garth, isn't it?"
"I need something," says Garth. "And I need it right now. You're lucky I even knocked."
"I'm teaching," says Nina, then looks at the boy. "Up to a point."
Garth shrugs.
"So you'll have to wait. We're trying to discuss Roman art."
"I don't wait," says Garth. "I get impatient."
"Probably ADHD," says the boy, clearly glad there is now a man in the room.
Garth looks at the boy, as if noticing him for the first time. "You're wearing a Nirvana T-shirt?"
The boy nods, sagely. "Yeah, that's my vibe."
"What's your favorite song?"
"Smells Like--"
"And if you say 'Smells Like Teen Spirit' I will throw you out of that window."
The boy now looks decidedly less happy that there is a man in the room.
"Garth, I'm teaching," says Nina.
"Me too," says Garth.
"Uh....," says the boy.
"Easy question," says Garth. "Nirvana is the fourth-greatest band of all time. Name their best song."
" 'The Man Who...,' uh."
"If you're about to say 'The Man Who Sold the World,' think again," says Garth. "That's a Bowie cover. We can have a different discussion about Bowie when we're through with this."
"Leave him alone, Garth," says Nina. "He's a child. And a child in my care."
"I'm not a child," says the boy.
"You want me to help or not?" says Nina. "Why don't we call it a day anyway? If you haven't done the essay, there's no point."
"My pleasure," says the boy, getting up as fast as he can.
"Wait, you didn't do your essay?" Garth asks.
"Leave him alone, Garth," says Nina.
"What was it about? The essay?"
"Roman art or something," says the boy.
"And you didn't do it? Couldn't be bothered?"
"I just...didn't...just wasn't...interested."
Garth roars and beats his chest. The boy instinctively ducks toward Nina, and she puts a protective arm around him.
"You weren't interested? In Roman art? You are out of your mind. You're in this beautiful room with this intelligent woman, and you get to talk about Roman art, and you're not interested. You're not interested? You've got three years till you actually have to go and get a job! You know what jobs are like? Terrible. You think you get to discuss Roman art when you've got a job? You think you get to read? What are you interested in?"
"I have a TikTok channel," says the boy.
"Go on," says Garth. "I'm interested in TikTok. I was thinking of dabbling. What do you do?"
"We do....fast-food reviews," says the boy.
"Oh, I like that," says Garth. "Fast-food review. Best burger in Canterbury?"
"The Yak House," says the boy.
"Noted," says Garth. "I'll check you out. Now I need a word with Ms. Mishra here, so I'm going to ask you to skedaddle."
The boy doesn't need asking twice, and shoots for the door. Garth puts out a massive arm to stop him. "Three things before you go though. One: if that essay isn't done next week, I'll kill you. I mean that. Not like 'Your mom will kill you if you don't tidy your room.' Actually kill you. You believe me?"
The boy nods.
"Good, stop wasting this opportunity, brother, I swear. Two, if you tell anyone I threatened you, I will also kill you. OK? Not a word."
"OK," says the boy.
"It better be OK. God cries every time someone lies to a Canadian. And three, the best Nirvana song is 'Sliver' or 'Heart-Shaped Box.' Understand?"
"Understand," agrees the boy.
"I played bass for a band called Mudhoney for two tour shows once. You heard of them?" says Garth.
"I think so," pretends the boy.
"Great, you check them out, and I'll check out your TikToks. Off you go, champ."
Garth ruffles the boy's hair and watches him run out. He turns back to Nina.
"Nice kid."
Since reading this, all I can think about is how different my life would be if I had a Garth in all my classrooms or standing in the corner for every student conference. It wouldn't do much harm to throw anyone out of my office window, but I suspect that Garth rarely has to follow through on his threats.
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