Thursday, October 30, 2025

(Some) visiting writers rock!

In 2009, Anthony Doerr was a cheap date: he came to campus, met with a creative writing class, had lunch with English majors, and read from his work in a public reading, all for the pathetic honorarium our department was able to scrape together. We invited him on the strength of his short stories and Four Seasons In Rome and we paid him just enough to tempt him to fly cross-country. This was before the novels and the Pulitzer and the movie deal, so there's no way our meager budget could lure him here today--but if we did, I have no doubt he would spend quality time with students. He was great with students. Alumni still rave about the writing advice he so generously shared.

We've been lucky over the years with many of our visiting writers, pleased with their willingness to share their expertise with students. Sarah Vowell was fabulous. Dan Chaon was great. Joni Tevis was a gem. And the first visiting writer whose visit I arranged--the poet David Citino--read students' work with care and offered focused encouragement. A year later when I learned he'd died, I was so moved by the memory of his patient attention that I cried in front of my class.

But some visiting writers have not been so accommodating. I guess I understand, a little bit: if some big-name writer takes time out of a busy writing schedule to travel out to darkest Appalachia, flying in and out of annoying little airports and staying in a chain motel next to the interstate, they might want to get out of here as quickly as possible, arriving on campus in time to read but avoiding the classes or lunches or opportunities to meet with students. They're tired. They're busy. They're big stars in the literary firmament, and we are nobody.

But do they have to rub it in? I remember one pretty well known writer--whose name I won't mention--whose imperious attitude left a bad taste in my mouth. She openly expressed contempt for our students' work, and while I'm not surprised that a student's writing might not meet the high standard expected by a successful writer of literary fiction, I don't see the need for contempt. But this same author also treated the chair of the English department like the hired help, so maybe contempt was just her usual way of being in the world.

A visiting writer who hates students probably ought to stay away from students entirely--read the work, be inspiring, go away. Fine. But I keep thinking back to that visit by Anthony Doerr, when no one knew that he would someday become THE Anthony Doerr: he convinced our students that their writing mattered, and the students responded by writing more and mattering more.

Next month, because of an unusual conjunction of events, we have two authors visiting campus. One will visit a class and have lunch with English majors and departmental faculty; the other will arrive on campus 30 minutes before the reading and leave immediately after. Guess which one is being paid a whole lot more? In the literary world, success means never having to bother with students. 

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