Thursday, December 27, 2007

It's better than walking on hot coals

One day down, two to go--but let's not get too excited. We had only five interviews scheduled today and one had to be rescheduled because the candidate had two flat tires on the way to Chicago, so we're doing nine tomorrow and eight on Saturday, one after another all day long in the big interview room with the horrid carpet.

Where do hotels find all this horrid carpet? Do they all patronize the same Horrid Carpet Warehouse, or do their design teams offer Affirmative Action for the Aesthetically Impaired? One hallway in our hotel features puke green walls and checkerboard carpet with interlocking lines and angles that make my eyes hurt.

And how did all this ugliness ooze into the prettiest part of the prettiest big city in the midwest? I'm not a city person, but I can't walk a block up Michigan Avenue without being awed by the wealth of architectural variety and detail, the Gilded Age buildings oozing with sheer, brazen, unashamed hope. I sense the presence of Carl Sandburg swooping among the towering stone towers or stomping along the crowded sidewalks. Sherwood Anderson looked at the Chicago River and saw mud, but it was the kind of mud that could support the (self)creation of an artist. Harriet Monroe made poetry happen here. In the public library just up the street stands a bronze bust of Gwendolyn Brooks looking like a straight-talking, no-nonsense goddess of poetry. City of big shoulders indeed.

But none of those authors had to live with this horrid hotel carpet. Sherwood Anderson stayed in a cold, bare room in a cheap rooming house while he wrote Winesburg, Ohio; if, instead of bleak, bare, drafty walls and floors, he'd been surrounded by horrid hotel carpet, his muse would have jumped in the river. How many potential works of Great Literature were stillborn because the muse couldn't coexist with obnoxious upholstery?

Good thing I'm not here to create Great Literature. Horrid hotel carpet is appropriate for the big bad interview room because no one expects to be comfortable in there anyway: the MLA interview room is a black hole of angst right now, full of people so desperate for a tenure-track teaching job that they wouldn't notice if the floor were coated with hot coals.

As for those of us who already have jobs, the horrid carpet is the least of our concerns. We want to find someone who knows a little something and knows how to teach it to our students, someone who can teach a 4/4 load plus serve on committees and still do some research and publishing, someone we wouldn't mind running into in the hall every day. If putting up with horrid hotel carpet is the price we have to pay to find that person, then it's a price worth paying.

So I'm willing to put up with the ugly carpet. Just don't ask me to write any poetry about it.

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